In the middle of winter in 1892, Monet lived in rooms across from Rouen Cathedral.

Most versions were painted as seen here: close up and cropped at the sides. 1894. - Claude Monet: "The Portal of Rouen Cathedral, "le Portal vu de face", harmony in brown". Claude Monet, in full Oscar-Claude Monet, (born November 14, 1840, Paris, France—died December 5, 1926, Giverny), French painter who was the initiator, leader, and unswerving advocate of the Impressionist style. Rouen Cathedral doorway and tower in morning light, harmony in white, by Claude Monet, 1894. Each painting in the series capture the view of Rouen Cathedral at different times of the day and year and it reflects changes in appearance under different lighting conditions. A time-series of Monet's Rouen Cathedral paintings. Claude Monet, in full Oscar-Claude Monet, (born November 14, 1840, Paris, France—died December 5, 1926, Giverny), French painter who was the initiator, leader, and unswerving advocate of the Impressionist style. Monet was responding to the surface realities of light on the facade of Rouen Cathedral; Lichtenstein was responding to the surface realities of mass reproduction.

He returned the next winter to paint the cathedral again. Monet was interested in the effects of light on his subjects and often painted the same subject many times under different lighting and atmospheric conditions. Please practice hand-washing and social distancing, and check out our resources for adapting to these times. Fortunately for our project, Claude Monet was careful to note the times of day portrayed by his Cathedral paintings.

When Monet painted the Rouen Cathedral series, he had long since been impressed with the way light imparts to a subject a distinctly different character at different times of the day and the year, and as atmospheric conditions change. Monet painted more than thirty views of Rouen Cathedral in 1892-93.

Left: Claude Monet – Rouen Cathedral, West Facade, Sunlight, 1894 / Right: Claude Monet – Rouen Cathedral, West Facade, 1894. Moving from one canvas to another as each day progressed, he painted the facade with highly textured brushstrokes that convey the aspect of sculpted stone and make the atmosphere and light palpable.

When Monet painted the Rouen Cathedral series, he had long since been impressed with the way light imparts to a subject a distinctly different character at different times of the day and the year, and as atmospheric conditions change. In his mature works, Monet developed his method of producing repeated studies of the same motif in series, changing canvases with the light or as his interest shifted. "At times, he thought he was going mad painting the cathedral in such colors," said Gilles Grandjean, the Rouen museum's principal curator.



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